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PRESIDENT’S INITIAL LETTER by Solveig Holmquist
A few months ago I was sitting at dinner with my father at the residential care center where he now lives, and one of the aides leaned over and said, “That man over there is quite a musician, too. He sings for the residents whenever he visits his mother.” I walked over and introduced myself, and within about 24 seconds found myself deep in choral talk with Professor Paul Smith, choral director at John Brown University in Siloam Springs, Arkansas and ACDA member, Southern Division. There weren’t even six degrees of separation! OK, we’re alike in having parents who are wheelchair bound and unable to converse, but it felt so positive and fun to discover all the ACDA friends we had in common. With each of his visits to Oregon we chat about repertoire and other choral matters, and I share his joy in the near completion of their chapel/recital hall. I also now understand when his mother conducts, as I play the piano for the residents! Many years ago, as Oregon ACDA President, I wrote a column about the benefits of ACDA membership, saying that really it’s the only way for over-scheduled choir directors to have any friends. I think I should alter the phrasing now and say that it’s possible that ACDA provides our most meaningful friendships. Isn’t it true that any time we’re together, either at meetings or conferences or even chance encounters, it’s satisfying not to have to explain our lives? Isn’t it true that we learn incalculable life lessons from each other, often through the deep communication of music? Doesn’t someone say at almost every ACDA gathering that we are incredibly lucky to be able to live this vocation that has chosen us? Earlier this summer several I attended the National Leadership Training event in Chicago, along with NW ACDA leaders NW President-elect Gary Weidenaar, State Presidents Patrick Ryan (Montana), Sue Schreiner (Oregon), and Nicole Lamartine(Wyoming), and of course our own Karen Fulmer, National President-elect Designate. Though with 40 state presidents and many other leaders there, as well as members of the professional staff, you’d think the event would be formal and by necessity impersonal, exactly the reverse was true: I know I speak for all of the NW contingent in saying we felt the friendship of shared goals and interests instantly. The home office staff became people with faces and personal lives, instead of the disembodied voices we’d interacted with. What became immediately obvious at the leadership event was that ACDA is changing rapidly, strengthening and looking forward in exciting ways. We all know that changes in the executive structure over the past few years have been accompanied by occasional chaos and confusion – let’s compare it to buying a new house and accomplishing the move from the old one: fun but frustrating. Now this “move” is almost finished and we can look up to see that the view is fabulous! You’ll be hearing the details of the new initiatives in the coming months. One big change involves the Choral Journal, which is now more comprehensive in scope and incorporating practical information that the membership has been asking for. Overall, you’ll find that the ACDA leadership is committed to speaking more directly and interactively to choral directors where we do our choral work: in other words, being responsive to the mission of the organization. Please look online and in the CJ for information about the National Conference in March, to be held in Chicago. Yes, we need and can use ACDA resources every day, but national ACDA conferences are our opportunities to go to the well in every sense. A Washington ACDA colleague told me just last week that a few years ago he was ready to leave the profession. The pressure was getting to him and it all now just seemed like hard work. Then he attended a national conference in which he heard a women’s choir from Finland. His life was literally changed as he realized that he was no good to himself or anybody else unless he intentionally provided beauty in his life, provided by someone else. He’s made some big changes in his daily life, but he also says he’ll never miss a national conference! I’m honored to serve you and ACDA as your NW President. I plan to contribute a column at the beginning of every month; that way it’ll feel like more conversation than intimidating lecture, and long or short, there might be something that would spark a conversation. It’s going to be fun getting to know each other. Musically yours, |
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January, 2010 President-Elect, Solveig Holmquist INVITES and URGES you to attend the NW ACDA conference in Seattle, March 10-13, 2010 Dear ACDA friends, Do you give concert tickets to loved ones? Would you give an inspirational resource book to somebody on your gift list? Will you be giving a carefully chosen exercise, language, or educational DVD to someone? How about gifts to your favorite charity during the holidays? Is personal relaxation time through a renewing getaway one of the prime gifts you give to others? I read a quote the other day that spoke to our society's current obsession with computer "connections" at the expense of personal contact: "Life is what is happening behind your back while you're glued to a screen." How refreshing to be in Seattle, surrounded with music and conversation! What a gift -- and it can be purchased now, by filling out your conference registration. And remember: you deserve it. See you in Seattle.
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Solveig Holmquist of Western Oregon University named president-elect of the northwestern division, ACDA President Scott Peterson sent this note to members
of the NW board (dated February 28, 2008) "I have just been notified by Hilary Apfelstadt,
National President, that the National Executive Board has approved Solveig
Holmquist as the new President-Elect-Designate of the Northwestern Division. She
will take office on July 1st as President-Elect when Richard Nance assumes
the Presidency." NW ACDA once again had the good fortune of presenting two well-qualified candidates for this office in Scott Anderson of Idaho, and Solveig Holmquist. Although the voting in the past has often been very close, for the first time in our history we had a tie vote. ACDA national officials recommended both candidates be contacted to see if they would agree to another vote of the membership. Scott Anderson declined. The national board, in a recent meeting, simply approved the election of Solveig Holmquist. Solveig's response: One of the reasons we love living in the Northwest
is that we cherish our individualism, stubbornly refusing to fit into
boxes. We shouldn't be surprised, then, that we in the NW Division
have managed to achieved a "first" in ACDA history: an
absolute tie in the voting for NW President-Elect Designate! Who knew
such a thing could happen? Well, we might have predicted SOMETHING
out of the ordinary in this most interesting General Election year. And her official bio: Professor of Music Solveig Holmquist, in
her twelfth year as Director of Choral Activities at Western Oregon University.
Her teaching duties include conducting the Concert Choir and Chamber
Singers, providing musical direction for the yearly musicals in collaboration
with the department of Theater/Dance, and teaching Conducting, Choral
Methods, and Choral Literature. As a certified adjudicator, Holmquist
is in demand at numerous clinics, festivals, and contests throughout
the Northwest; guest conducting appearances include the Spokane Festival
of the Arts, the Colorado Western Region Honor Choir, and the Anchorage
High Schools Choral Festival. She made her fourth appearance conducting
on the Carnegie Hall stage
in February 2007, with WOU Chamber Singers as the core ensemble. Since 1985, Holmquist has been an auditioned member of the Oregon Bach Festival Chorus, Helmuth Rilling, conductor, and in 1991 was selected to the festival’s conducting master class. The Oregon Bach Festival Choir won the 2000 Grammy for Best Choral Performance for its premiere recording of “Credo” by Polish composer Krzystof Penderecki; the OBF Choir was subsequently invited to perform the work at the World Symposium of Choral Music in the summer of 2002. In the summer of 2006, the OBF choir and orchestra began a 3-year project which will conclude in 2009, recording the late Haydn masses for Hanssler-Verlag. Holmquist was involved in church music for thirty-seven years, most recently serving for fifteen years as Music Director at First Methodist Church in Salem, where she was organist and led a sequential music program that included nine choirs, a summer music camp, youth musicals, a concert series, and a weekly music column. An accomplished organist, she has been called upon to play dedicatory recitals on several organ installations in the area. Dr. Holmquist and her husband Jon live in Salem. They have six grown children and ten grandchildren.
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